Indigenous Histories
10.20.23 – 2.25.2024The Museu de Arte de São Paulo Assis Chateaubriand (MASP) in collaboration with the Kode Bergen Art Museum is organizing a major group exhibition titled Indigenous Histories.
The exhibition occupies MASP’s first floor and second floor galleries from October 20th 2023 to February 25th 2024; it then travels to the Kode, from April 26th through August 25th 2024.
The exhibition will present different accounts of indigenous histories from South America, North America, Oceania and Scandinavia, through art and visual culture, curated by artists and researchers who are indigenous or have an indigenous descent, bringing together works of multiple media, typologies, origins and periods, from the period before European colonization to the present.
Despite its international scope and its temporal breadth, the project does not take an all-encompassing nor an encyclopedic approach—on the contrary. In this respect, it is important to consider the meaning of the word “histórias” in Portuguese, which is rather different than “histories” in English. The term “histórias” encompasses both fiction and nonfiction, historical accounts as well as personal ones, of a public and private nature, on a micro or macro level, and thus possess a more polyphonic, speculative, open, incomplete, processual, and fragmented quality than the traditional notion of History.
Indigenous Histories comprises eight sections: seven devoted to the different regions in South America, North America, Oceania and Scandinavia, as well as one thematic section devoted to indigenous activisms around the world. Once again, the aim is not to fully represent the vast, complex, and layered indigenous histories of each particular region, but more so to provide a cross-section, a fragment, or a sample of such histories in a concise yet relevant selection, so that it may be juxtaposed with others from different parts of the world.
The exhibition will be accompanied by a major catalog published in separate editions in Portuguese and English, reproducing the works in the show as well as essays about each of the sections written by their curators.
Indigenous histories is curated by Abraham Cruzvillegas (Mexico City); Alexandra Kahsenni:io Nahwegahbow, Jocelyn Piirainen, Michelle LaVallee e Wahsontiio Cross (Ottawa, Canada); Bruce Johnson-McLean (Camberra, Australia), Edson Kayapó, Kássia Borges Karajá and Renata Tupinambá, Curators-at-large of Indigenous Art, MASP; Irene Snarby (Tromsø, Norway; Kode); Nigel Borell (Auckland, New Zealand) and Sandra Gamarra (Lima, Peru), and has a curatorial coordination by Adriano Pedrosa, Artistic Director, MASP, and Guilherme Giufrida, Assistant Curator, MASP.
The exhibition occupies MASP’s first floor and second floor galleries from October 20th 2023 to February 25th 2024; it then travels to the Kode, from April 26th through August 25th 2024.
The exhibition will present different accounts of indigenous histories from South America, North America, Oceania and Scandinavia, through art and visual culture, curated by artists and researchers who are indigenous or have an indigenous descent, bringing together works of multiple media, typologies, origins and periods, from the period before European colonization to the present.
Despite its international scope and its temporal breadth, the project does not take an all-encompassing nor an encyclopedic approach—on the contrary. In this respect, it is important to consider the meaning of the word “histórias” in Portuguese, which is rather different than “histories” in English. The term “histórias” encompasses both fiction and nonfiction, historical accounts as well as personal ones, of a public and private nature, on a micro or macro level, and thus possess a more polyphonic, speculative, open, incomplete, processual, and fragmented quality than the traditional notion of History.
Indigenous Histories comprises eight sections: seven devoted to the different regions in South America, North America, Oceania and Scandinavia, as well as one thematic section devoted to indigenous activisms around the world. Once again, the aim is not to fully represent the vast, complex, and layered indigenous histories of each particular region, but more so to provide a cross-section, a fragment, or a sample of such histories in a concise yet relevant selection, so that it may be juxtaposed with others from different parts of the world.
The exhibition will be accompanied by a major catalog published in separate editions in Portuguese and English, reproducing the works in the show as well as essays about each of the sections written by their curators.
Indigenous histories is curated by Abraham Cruzvillegas (Mexico City); Alexandra Kahsenni:io Nahwegahbow, Jocelyn Piirainen, Michelle LaVallee e Wahsontiio Cross (Ottawa, Canada); Bruce Johnson-McLean (Camberra, Australia), Edson Kayapó, Kássia Borges Karajá and Renata Tupinambá, Curators-at-large of Indigenous Art, MASP; Irene Snarby (Tromsø, Norway; Kode); Nigel Borell (Auckland, New Zealand) and Sandra Gamarra (Lima, Peru), and has a curatorial coordination by Adriano Pedrosa, Artistic Director, MASP, and Guilherme Giufrida, Assistant Curator, MASP.
Vanessa Dion Fletcher
Jessie Oonark
Lesslie
Melissa General
Barry Pottle
Susan Point
Ramón Cano Manilla
Frida Kahlo
Ana Hernández
Yutsil
Doreen Reid Nakamarra
Untitled, 2005
Rover Joolama Thomas
Gunawaggil, Australia
One Hid under the Bullock’s Hide, 1991
Natural earth pigments on canvas
Jan (Djan Nanundie) Billycan
Yulparitja, Australia
All the Jila, 2006
Natural earth pigments and oil on canvas
Eubena Nampitjin
Tjinjadpa, Australia
Mindiki Karu, 2002
Synthetic polymer paint on canvas
Yukultji Napangati
Untitled, 2006
Naata Nungurrayi
Untitled, 2010
Shorty Lungkata Tjungurrayi
Jila, Australia
Untitled, 1972
Synthetic polymer paint and natural earthg pigments on composition board
Elizabeth Ellis
Dhiani Pa’saro
Povo Baniwa [Baniwa People]
Caripoune Yermollay
Oiapoque, Amapá, Brazil
Untitled, 2023
uni-posque ink on paper
Waxamani Mehinako
Aislan Pankararu
Petrolândia, Pernambuco, Brazil Cheiro de terra [Earth Smell], 2023
acrylic with natural pigment on raw linen
Marja Helander
Copyright © Tara Luty 2024